Wednesday, May 6, 2020

Essay on Arnold Schoenbergs Musical Influence - 1220 Words

Arnold Schoenbergs Musical Influence Arnold Schoenberg was one of the greatest musical influences of the mid 20th Century. He was born on September 13, 1874, to a Jewish family in Vienna, Austria (Schoenberg 1). Schoenberg was a young Jewish man during World War I (WWI) living in Berlin. He was directly affected by the invasion of the Nazis. In 1933, he had to leave Berlin and desert his faith for Lutheranism later on taking on the faith of Judaism. At the early age of eight, he began violin lessons and almost immediately started composing music (Schoenberg 1). He was self-taught until the age of 10 when he began formal training (Schoenberg 1). He earned a living by orchestrating operettas, directing a cabaret orchestra, and teaching.†¦show more content†¦In 1920, Schoenberg formulated his twelve-tone technique which can be heard in his one-movement Piano Concerto. One of the warmest and richest harmonies Schoenberg created was The Chamber Symphony No. 2 (1939) which had late Romanticism harmonies with neo-clas sic spirit (Schoenberg 1). Through Schoenberg and his students, the twelve-tone method became a dominating force in the mid 20th century composition and strongly influenced the course of western music. Schoenberg made a radical break in music with his un-orthodox pitch combinations and his unique rhythms. Schoenberg stated: â€Å"Whether one calls oneself conservative or revolutionary, whether one composes in a conventional or progressive manner, whether one tries to imitate old styles or is destined to express new ideas-one must be convinced of the infallibility of one’s own fantasy and one must believe in one’s own inspiration. The desire for a conscious control of the new means and forms will arise in every artist’s mind; and he will wish to follow consciously the laws and rules that govern the forms he has conceived â€Å"as in a dream (Norton 1).† Schoenberg was not only a musician but also a writer and painter. This variety of talent allowed him to construct a larger audience. As a musician he only reached those who loved music. With his other talents he was able to attract art lovers and readers. This allows various vehicles of passing onShow MoreRelatedArnold Schoenberg 31268 Words   |  6 PagesArnold Schoenberg was one of the greatest musical influences of the mid 20th Century. He was born on September 13, 1874, to a Jewish family in Vienna, Austria (Schoenberg 1). Schoenberg was a young Jewish man during World War I (WWI) living in Berlin. He was directly affected by the invasion of the Nazis. In 1933, he had to leave Berlin and desert his faith for Lutheranism later on taking on the faith of Judaism. At the early age of eight, he began violin lessons and almost immediately startedRead MoreMusic That Subverts The Standard Form Of Arranging Sounds Produced By Musical Instruments And Approaches1457 Words   |  6 Pa gesSerialism is style of music that subverts the standard form of arranging sounds produced by musical instruments and approaches the composition from an almost mathematical standpoint. It can be described as a compositional strategy in which the composer arranges notes in a particular order based on the characteristics of a sound such as pitch, duration, amplitude or even timbre, but giving no preference to each individual characteristic; all aspects of a sound are equal. Once the notes are arrangedRead MoreThree Most Important Composers of the Twentieth Centruy2805 Words   |  11 Pagesdid not write in that style and instead influenced other aspects of the music world. Arnold Schoenberg, Aaron Copland, and Igor Stravinsky each greatly impacted the musical world around them. 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After backpacking through major partsRead MoreExperiments with the Human Voice: Max Mathews Essay example1716 Words   |  7 Pagespalette but increase the understanding of the voice in it’s naked form. (Jonathan Impett, â€Å"Shadow Boxing: Sequenza X for Trumpet and Piano Resonance† in Halfyard 2007: 85.) Extended Vocal Technique’s history in Art Music can also be traced back to Schoenbergs use of Sprechgesang in Pierrot Lunaire (1912), where the performer is chosen to be the reciter, then delivers the text in a half speaking, half singing voice. It is not always about making outrageous and unusual sounds, but basically how theseRead MoreThe Influence of Music on Self and Society - Values in Music in Eastern and Western Cultures8787 Words   |  36 PagesThroughout history the unspoken but highly evocative language of music has exerted powerful influences on individuals and societies alike. 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